It’s fine to have easy breezy, fluffy action comedies but there’s still gotta be an interesting story, strong character dynamics and a genuine sense of danger or I’ll just lose interest. I wish I liked this more but it just didn’t have substance or anything to grab ahold of. Watch for familiar faces including Tom Arnold, Jan Triska, Marshall Bell, Dennis Lipscomb, Saul Rubinek, Chris Ellis, Olek Krupa and a very young Dave Chapelle. Tucci is anything but though as this ridiculous petty criminal, barking out childish threats with a priceless Spanish accent and spicing up the proceedings with his coked up manic energy. There really isn’t too much romantic chemistry between Quaid and Turner save for one brief scene and for all their cavalier swashbuckling and attempts at charisma they seem curiously lifeless. Pretty soon two dogged detectives are after them, played by Obba Babatunde and the always scene stealing Larry Miller who is doing a voice/accent here that is so bizarre he sounds like he walked out of the looney toons. that’s the loose version anyways, the film doesn’t really have much of a grasp on the reins of its own plot. When a chance encounter with a hopeless mugger named ‘Muerte’ (Stanley Tucci in a performance that has to be seen to be believed) puts them in the spotlight of their former boss (Richard Jenkins) they are tasked with finding and taking down an easily distracted Euro-trash villainess (Fiona Shaw) who is selling plutonium rods to terrorists.
Dennis Quaid and Kathleen Turner play former spies who are on vacation in New Orleans, trying to escape the espionage life for awhile so they can raise their baby. I love a good lighthearted comedy but unfortunately this one tries to be so carefree and leisurely that it comes across as… well just that, something that feels like it’s trying too hard to achieve it’s vibe instead of just naturally arriving there. Undercover Blues is about as light, breezy and fluffed out as a film can get, to its own detriment in fact.
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